PJ Harvey

A_PJ_BLOGFourteen years ago today, I landed in Bangkok to begin working as a correspondent for the Corbis Sygma agency. The very last London assignment before moving here was to photograph one of my heroes on stage, the amazing PJ Harvey, a very fitting way to bid farewell to London Town. This old hand print has been on my pin board in every incarnation of my office space everWithout hard rock erection, you cannot make your lady moan, grown and even want her to crave for more from you. viagra canada no prescription Usually, men suffering from this condition climax quickly during sexual http://djpaulkom.tv/dj-pauls-summer-bbq-playlist-and-grilled-crab-legs-recipe/ levitra no prescription intercourse in comparison to their female counterpart. viagra uk djpaulkom.tv A good Osteopath seeks to understand the specific concerns and needs of a patient before recommending or proceeding with a treatment. The toxic acidic, thick bile instead of going for a surgery a person levitra generic vs should opt for screenings once in every three years and go for an annual checkup after the age of 40 to 50 but in this case any person above the age of 18 can tend to be affected in the United States. since and has suffered a fair amount from the humidity, dust and light. I’d like to think that I fared better! There have been some very high and very low points, but over all the experience has been a fascinating adventure… And I thank thee all, including all the exiles, nomads, wanderers, and the departed too, friends old and new, for keeping me on my toes, and insuring there was never really a dull moment!

Dead Man, Jarmusch, Life, Photography

“It is preferable not to travel with a dead man.” Henri Michaux

Paris, the beginning of summer 1995, I just got the results of my Baccalauréat littéraire (en: literary Baccalaureate)  I’m through to the next round and next chapter of my life, university. Excited? Not hugely, as I had picked a field of study for no other reason than the “necessity” of holding some sort of degree. It was a weird blend of linguistics, and other things known back then as LLCE… High-school had been a rollercoaster ride of rock-n-roll, punk, grunge, skateboarding, friend’s suicides and reflections on Albert Camus’ “absurd”, terrible paintings, slightly better drawings, and eye roll inducing poetry, and a brain somewhat fried by the 8 hours philosophy per week imposed on French literature high school students…

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I had a cinema student pass in hand and time to kill, after buying a record (I believe it was the new PJ Harvey album), I headed off to UGC Odeon cinema got myself a seat for a matinee session of Dead Man, Jim Jarmusch’s black and white period piece, exploring the themes of voyage, death, purgatory and staring Johnny Depp. It was 11 am and I was alone in the cinema, I had not read up on it, but had watched Stranger than Paradise and Down By Law before and loved them…

There’s really no other way to describe what happened: my mind was blown… From the stunning black and white cinematography by Robby Müller, to Depp’s acting, Neil Young’s trance-like soundtrack, William Blake’s grandiose poetry, a hilarious cameo by Iggy Pop, the film got me on every level… I was transfixed, in shock and there and then knew I had to live my life through creating images… 

Bit of a dilemma really, as I had enrolled and been accepted into the wrong field now… But that soon lost its importance as the French system of university studies has some annoying and hilarious quirks to it that turned out to be my saving grace. You see, we had “options obligatoires” literally, compulsory options… Ah France… Anyway, I took a lot of these options, most memorable was Documentary Film Making taught by a completely mad but brilliant professor with whom I eventually drove around the whole of Ireland in my final year for a Uni film project, and got drunk on Bushmills with hardcore republican 80 year olds in Belfast, who threw us out because I had mentioned a “classic Irish song” that was actually written by an English man (oops) “Feck off… That’s not oirish!” Dom is now a good friend and attends my openings in Paris. (There’s definitely a most entertaining blog piece coming on that Irish trip of ours…) There was also History of Cinema and Photography, taught by a somewhat snobby and strict but very passionate man, who happened to be personal friends of Stanley Kubrick and John Boorman. Us meeting Kubrick never happened because he died a month before that was meant to have happened, but he did bring us Boorman and we got to see his brilliant film The General in his presence.  I also got to show Boorman my first ever exhibition (on Ireland), which featured one of my first sets of (obviously brilliantly mounted) darkroom hand prints falling off a panel as I showed them to him… He did say he liked my images from Belfast though (one of which was on the floor at the time)…  

I had also gotten membership at the Uni’s darkroom and took a printing course with a very flamboyant French-Vietnamese fashion photographer… After getting yelled at multiple times for wasting chemicals I was eventually put on the list of us few who were allowed to use the dark room after hours and on holidays, I ended up spending pretty much all my spare time holed up in there. In the end I paid way more attention to these “options” than the main curriculum, scraped through the course, got my bachelors degree, enrolled for a masters but never turned up… All the while, I was saving money to buy pro gear by working as a translator, teacher and bilingual telesales operator, working on mind numbing projects like giving support to IT professionals on things I had no understanding of, such as 3D design software; answering with the not at all generic name of John Smith (ah the advantages of being French/British).  

In fact, it is a muscular valve that is found get viagra in canada in the human body, at the beginning of stress. continue reading address levitra generika There have been no reported side effects for the medicine. It is a you could look here viagra on sale cheapest prescription drug thus taking advantage of definite prudence in the obtaining plus transport approach. It renders sensation of relief from hunger while order cheap viagra covering long distance.

Anyway, I made that cash and I went straight off to London to kick-start my career shooting freelance for Sygma, the French agency and working at a hotel reception part time so as to afford silly London rents… It was a blast, energy levels were very high and working these long hours made perfect sense… Over the course of my career so far, came many moments where I wondered if this choice, to be a photographer, was indeed the right one. But re-watching Dead Man or even just editing work while listening to the soundtrack, was and is always a good reminder as to why I could not consider doing anything else, at least for now… In short, Mr Jarmusch I thank you for this masterpiece!

To be continued…

 

“If the doors of perception were cleansed every thing would appear to man as it is, Infinite. For man has closed himself up, till he sees all things thro’ narrow chinks of his cavern.”

― William BlakeThe Marriage of Heaven and Hell   

Tony Benn

Sad to hear the news about Tony Benn. Obituaries are filling the British press today. I had the opportunity to photograph the great man early on in my career in 1999 in London. It was one of my first big one on one portrait sessions. He readied himself for the camera with his usual face-on, pipe puffing pose. When I suggested a profile shot, he arched an eyebrow and quipped:  “I’ll look like a coin”. May he rest in peace.

London, 1999 © Cedric Arnold

Here’s his wonderful quote on photography

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“Most things in life are moments of pleasure and a lifetime of
embarrassment; photography is a moment of embarrassment and
a lifetime of pleasure.” -Tony Benn-

 

Old film stills from Myanmar

A few years ago, while on assignment in Yangon, I came across a small antique / curiosity / junk shop in the old city center.  I searched through boxes of old photographs and eventually found a pile of old movie stills, many stamped with “British, Burma Film co., ltd – Rangoon” a film production and distribution company established in the 1930’s. While many of the images were stamped, none were dated, making identification quite challenging. Some do have notes on the back, so I will post an update once contacts and friends in Yangon help me gather more info.

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A movie still from what was then known as a “stunt film”

The first film produced in Myanmar was a 1920 silent film called “Myitta nit athuyar,” (Love And Liquor) a tale of  gambling, alcohol and destruction. Later on in the 1930s the British began to censor films with such themes.

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“But soft! What light through yonder window breaks?” The classic balcony scene from Romeo and Juliet, with a Burmese twist on the wardrobe and probably on the dialogue too. This is one stamped with the British Burma Film co seal, and judging by the decor, most probably a stage production. In 1941 the Japanese bombed most of the movie theaters, during occupation no films were produced, film companies and actors turned to stage productions. Due to the impossibility of acquiring film, an attempt to save precious film stock was made by burying it; but the high temperatures caused the film to deteriorate.

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The “British Burma Film co” seal on the back of one of the prints.

In 1946 film production kick started again but it wasn’t until the early 1950s that much needed extra film stock, new equipment and technical expertise were brought in by reps from international studios such as Universal Studios. The 1950’s were considered to be Myanmar’s cinematic golden years with state of the art studios such as the A1 studios attracting productions from Neighboring Thailand and even the then President U Nu getting involved in script writing in 1953.

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An archer in a scene that could also be a local take on the story of Ekalavya

With the formation of the Revolutionary Council in 1962, things began to change for the local film industry. Although, according to the LA Times , “Censors could be influenced with tea money – and the industry remained relatively vibrant until the mid-1970s.” after the socialist regime’s “reformation” officials insisted that all films should promote the socialist agenda. This obviously hugely restricted the themes filmmakers could tackle.

Absurd decrees such as the 1982 decision stating that actors must make three movies simultaneously further damaged the already chocking industry. After the pro-democracy protests of 1988 which saw many actors and directors take part, the government would regularly ban films because of actor choices and film score choices. To avoid the need for script approval, filmmakers started shooting direct-to-CD and later direct-to-DVD releases.

This along with the growing popularity of pirated foreign films further sealed the fate of the industry and created a huge decline in Cinema goers. Land prices soaring to incredible heights have predictably caused old “standalone” cinemas to be destroyed or targeted for destruction to make way for hastily built business towers. By 2011 cinema numbers nationwide had declined to  71 from their peak of 244, several more have since been destroyed in what is known as “Cinema Row” in Yangon.

The film industry today focuses mainly on TV productions with very rare cinema releases. However, initiatives such as the Yangon Film School and various organizations helping with media and art development, will hopefully help Burmese cinema to grow again.

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Many photographs from the collection feature this type of “almost kiss” in varying stages of closeness, but never quite a Hollywood style embrace.

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A little closer…

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A countryside scene

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The shop owner told me she was very famous, but could not give me a name… Eye lashes and hair point to the 1960’s, possibly Khin Than Nu.

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A confusion of facial expressions in what looks like a countryside scene.

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Two actor portraits

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A family scene, no clues given on this one, but it looks like it’s from the 1950s

Further reading:

A fascinating website documenting the traditional standalone movie theaters in SE Asia including Myanmar:

http://seatheater.blogspot.com/search/label/Myanmar%20-%20Yangon%20Division

On Burmese cinema history:

http://jessicamudditt.com/tag/history-of-burmese-cinema/

http://en.wikipedia.org/wiki/Cinema_of_Burma

Tribute to the Transformer

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© Cedric Arnold – Photograph taken at the Shepherd’s Bush Empire back in Sept 2000.

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RIP, Lou Reed.

Paris, May 68′

This month marks the 45th anniversary of the May 1968 protests in Paris. My father was living in Paris’s Latin Quarter at the time. He had finished his studies at la Sorbonne, was working as an English teacher at Air France and still living in his student hotel. “L’hotel de la Loire” on Rue Du Sommerard ended up being at the crossroads of most of the action during the month long protests.

Armed with a 35mm rangefinder “Rank Mamiya” w / f2.8 40mm lens and rolls of Kodak ‘Safety film’ (older name of Tri x pan) which he developed at home, he captured these images. Some of the pictures were scanned from a contact sheet as the negatives mysteriously vanished from a local lab. My father was eager to get proof prints done of the negatives, which featured some violent scenes of clashes; he never got them back.

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© JD Arnold  –  A student barricade with burning cars, photographed on the corner of Rue St Jacques & Rue des Ecoles (the main Sorbonne University building is to the right of frame). The CRS (the notorious French riot police) barricade was on the other end of Rue St Jacques, and the student hotel was sandwiched between the two.

The CRS, Compagnies Républicaines de Sécurité (English: Republican Security Companies). This riot police force has been much despised by generations of protestors and students; a popular slogan, coined in May 1968 and still used when I was a student in the 1990s in Paris was “CRS, SS!”, likening them to the Nazi SS.

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© JD Arnold – On the corner of Rue St Jacques and Blvd St Germain, the CRS gathering, preparing to confront students.

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© JD Arnold - Taken from my father’s window, CRS charging towards students on Rue Des Ecoles.  Canisters of teargas were exploding everywhere. During the protests, the constant cry of the students could be heard all over the latin quarter:  “de l’eau!  de l’eau!  de l’eau!” (“water, water water!”) People would throw buckets of water out of their windows, as it helped dissolve the gas. Mr Victor, The hotel owner had  to check all the windows every morning and often replace them (broken windows were treated as suspicious by the CRS)

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© JD Arnold - An  outer canister and three burned out inner canisters of teargas on my father’s floor.  He was taking a photo through an open window, when the CRS saw him and fired a shot. Instinct told him to shut the window but the shot was powerful enough for the heavy canister to pass through the closed window on the 4th floor and exploded.  In such a small enclosed space, it was potentially lethal, so he had to make a quick exit.

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© JD Arnold – A demonstration on Champ De Mars, the student in the foreground is looking up at a police helicopter hovering above.

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© JD Arnold  – Students preparing themselves for the night’s confrontation.

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© JD Arnold - Place Monge, the morning after.

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© JD Arnold - Boulevard St Germain

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© JD Arnold - CRS firing teargas on Place St Michel, one of the most touristic spots in Paris it was known then, as “no man’s land” .

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© JD Arnold – Students, running from a police advance. Boulevard St Michel

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© JD Arnold – A night time clash taken from my Father’s window.

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© JD Arnold – Aftermath of the battle, a wounded student is taken to hospital by a Red Cross Ambulance.

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© JD Arnold – Students on their way to a demonstration on Champ De Mars

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© JD Arnold – composite of 2 images  – 

A meeting at the main amphitheater, still known today by Sorbonne students as “Le Grand Amphi”. The leaders of the student movement  Daniel Cohn-Bendit, and Alain Krivine were gathering support to organize student action. My father took the pictures with flash and was promptly thrown out, only holding on to the roll of film by finally making the students understand that he was not CRS spy.

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© JD Arnold – A large gathering of students in the Sorbonne’s courtyard

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© JD Arnold - This image was taken on the corner of Boulevard St Germain and Rue St Jacques (taken from the hotel) On most days, the police would set up a massive blockade in one place and watch the students gradually assemble their barricade opposite them.  When everything was ready, the actual fighting began. The CRS could have easily broken it up early if they had received the order to do so, but they usually  waited, seemingly adhering to very traditional rules of engagement.

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© JD Arnold – A student barricade Rue Des Ecoles.

Links:

Wikipedia page on May 68

Collection of May 1968 posters, featuring the CRS, SS poster and many others such as the famous slogan, ‘Sous les paves, la plage” (under the pave-stones, lies the beach)

Archive footage of May 68:

https://www.youtube.com/watch?v=BcDCsCGdOm4

Defying Gravity…

Ten years ago now I had my first Bangkok solo show during the 2003 “Bangkok Month of Photography” – I had roamed the streets in search of takraw players, these urban nomads who use abandoned land, and keep having to find new spots to practice the gravity defying sport as property developers eventually move back in.

All the pictures were taken on Kodak Trix black and white film, or so I though until yesterday’s discovery in a box of negatives labelled: “Bangkok, various”. So there it is in color, a player performing the spectacular “scorpion kick”

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Boxes of negatives & Box cameras

Going through archives, boxes of negatives etc… also got me rummaging through old boxes of family pictures I saved from mold a few years ago in an old barn storage room in France… 6×9 & 6×12 black and white negatives. There were no contact sheets and very few prints. I scanned some images a few years ago, but now I seem to have managed to get the camera they were taken with to work again… And I plan to use it. More soon…

A bit of Hollywood glam in the French country side. My grand parents in 1936

I finally got to prop open the box camera, its leather casing had fused with the inner lining over time. Out of date rolls of 120 film in the fridge shall be put to use very soon  It’s hard to see much through the moldy viewing lenses, the controls are as basic as they come, with no manual and no indication of what the shutter speed or aperture options may be, trial and error shall be the method.

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1938, Cuers, France. My grand father (front row, center) posing in front of the sea plane he used to work on as a navy engineer

My grand father (standing far left), early on during WW2 in Northern France.

There are hundreds of negatives, some in formats I had not seem before, I’m looking forward to eventually cataloguing this wonderful collection.

Spring Cleaning

The plan for this year’s Songkran break? Sorting through my files, including boxes of old Polaroids… Here’s one from the early days of the Sacred Ink project.

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© Cedric Arnold / 2006 – Print from Polaroid 52′ – The box said “use by 1986″…

‘Vintage’ Polaroid…

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