‘Sacred Ink’ show at SOAS – Private view

The SOAS exhibition of ‘Sacred Ink’ is up and running. It is also part of this year’s Bloomsbury festival – http://www.bloomsburyfestival.org.uk/event/id/190

The gallery will be exceptionally open this Sunday and I will be conducting a private view of the work from 2pm.

Address: Brunei Gallery,

SOAS, Thornhaugh Street,
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‘Sacred Ink’ Exhibition in London

Sacred Ink will be on show at London’s Brunei gallery, at the School of Oriental and African Studies (SOAS)

From Oct 18th to Dec 15th – more details soon.

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Yangon

Concerts, night time strolls, water fights… Shot between assignments in Yangon this year.

Indie rock band Side Effect perform in Yangon

Monsoon storms hit downtown Yangon

One of the many heavily damaged colonial era buildings in downtown Yangon

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Morning alms in downtown Yangon

Burmese new year – partying at the water festival

Punk band No U Turn at their rehearsal space…

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‘Yangon Awakening’ Featured in Newsweek

Images from my series of Polaroid portraits – ‘Yangon Awakening’ are in this week’s edition of Newsweek international.

Inside spread:


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One of the images is on the cover of the Asia edition.

You can view the whole set here: http://www.cedricarnold.com/Polaroid.html

‘Yangon Awakening’ in Newsweek.

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‘Sacred Ink’ in today’s edition of Newsweek Japan

“Picture Power” section of Newsweek Japan dedicated to Sacred Ink


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Sacred Ink in January Biannual art Magazine

http://januarybiannual.com/issue-2/

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Take Magazine Cover

My photograph of the Phuket Vegetarian festival is on the cover of the latest issue of Take Magazine

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George Whitman

In the early sixties, my father bought his books from George and went to readings at his bookshop. 30 years later, I followed suit.

George Whitman, the American bookseller in Paris, – great friend of the Beat writers, and an even greater friend and patron of generations of aspiring wordsmiths – died this week at the age of 98.  His bookshop, Shakespeare & Co, on the left bank’s rue de la Bucherie, has an extraordinary history, one that has been recounted in a myriad of obituaries this week, including in the New York Times.

The last time I visited was in the summer of 2010, I attended Shakespeare & Co’s literary festival, “Festival & Co”, featuring readings by Will Self, Martin Amis, Fatima Bhutto, David Hare, and Hanif Kureishi. Sitting outside the shop taking in the atmosphere, next to me was, corduroy trouser wearing Joe, from Scotland, who was writing a page for his obligatory autobiography. Countless aspiring writers and literary nomads have found a temporary shelter there over the years, sleeping on makeshift beds in the medieval building where every inch of space, even the staircase, is filled, covered, piled with books, books and more books.  Paperbacks, hardbacks, antique volumes,  at the tip of your fingers, sometimes just out of reach, a little too high up on the rickety old shelves.

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A book a day was the rule, if you wanted to stay here for free, you had to read, read a lot, work for a few hours in the shop, and you had better write too… Over the years I have met, in the most improbable places people, that had at one point or another strayed into Shakespeare & Co.  Some are now established writers. . Some cursed him for his belligerence in forcing them to read authors they hated. On one occasion, George perched at the till, sneered at my choices and without any apology replaced them with Auster and Kurieshi. I remain grateful. In Bangkok, many years later, where I met my girlfriend, our very first conversation was about the year she studied in Paris and worked at Shakespeare & Company. For her 21st birthday, George handed over the keys to his apartment above the shop joyously announcing that on this momentous occasion she should “wake up to pancakes, three cats and the Notre Dame”…

In 1997, for my 21st birthday, I got my first 35mm camera, joined the university’s photo-club & started experimenting in the darkroom. One of the first things I did was photograph George and the bookshop.  This was the first roll I ever processed myself, the results of which you see here…

http://www.shakespeareandcompany.com